Nature is a temple where living pillars
Sometimes let out confused lyrics
Man passes through, across forests of symbols
Each one observing him with a familiar gaze
Like long echoes, from afar confounding
In a dark and profound unity
Vast like night and like clarity
Fragrance, color, and sound all resounding
— Charles Baudelaire, 1857
1953. Five Mile Rapid, Swallowed in 1957 |
In attempting to raise the petroglyph from Area 7 (by the Corps of Engineer’s Derrick Barge “Cascade” after the formation of The Dalles Dam Pool), the connection to the lift line parted and the petroglyph and lift line were lost. In the near future, an attempt will be made to recover the petroglyph with the help of a diver.
-- Joseph F. Garback, Lt Colonel, Corps of Engineers, 1957
1956. Army Corps of Engineers assessment for relocation |
Area 7 was on a small island at the lower end of Fivemile Rapids. One rock was to be removed from this island. This rock was approximately seven feet high, eight feet wide and eight feet deep, weighing approximately seventeen tons. It was lying loose on a level area. Jacks were used to lift the rock enough to slip the cables under … the petroglyph was … bound with a cable which was attached to a float. In the attempt to lift this petroglyph a cable clamp slipped and it fell back into the water. The last report received was that the Corps of Engineers planned to send a diver down after it.
-- David L. Cole, University of Oregon, 1958
The Columbia River today pooled by The Dalles Dam |
It is unfortunate
that the petroglyph from Area #7 was lost in the efforts to raise it
from the bottom of the pool. Naturally, $1,000 to attempt to recover
this petroglyph is out of line with the value of the petroglyph, and we
feel that this petroglyph will have to be considered as lost.
-- Herbert Maier, National Park Service, 1958
Dislocated from one another, we are now flooded,
resting in place.
We suffocate in the backwater of decadence
and fractious contempt.
Purity of the ancient is the language without tongues.
The river elegantly marks swirls on its surface,
a spiral that tells of a place
that remains undisturbed.
— Elizabeth Woody
NOTES
— Charles Baudelaire from the poem Correspondences in Les Fleurs du mal, 1857. Translated by Ariana Reines.
— Elizabeth Woody from her poem “Waterways Endeavor to Translate Silence from Currents” in Luminaries of the humble. U of Arizona Press, 1994.
— In 1956 a cast of this petroglyph was made by James Hansen for the Oregon Museum of Science and Industry (OMSI) in Portland. Also in 1956, a rubbing made by Sari Dienes is now in the archives of the Burke Museum in Seattle.
Other NOTES & References available on request