25 December 2020

After all your "pilgrimage?"

They build these monuments as an aid to memory. What DNA are you? What will remind you to be kind after all your walking, after all your ''pilgrimage?'' 


In the beginning was the center. In the beginning was a seeker. Yet maybe something could happen to you, naked of light in the middle of your life the Kedu plain now raw stars glowing. Trespass here. Symbols on a wall say Stick with me, in the long run, they say. Come in they say: pacify, magnetize, increase, destroy, Me. 


—Anne Waldman, from her poem Diamond Matrix World

(Italics in the original)


Photo: Petroglyph (detail), boulder outcrop, seasonal creek pool. Oregon's Basin and Range, 2019

20 December 2020

Raven and the unmade undrawn unseen unmarked

how is it 
possible the world still exists, as 
it begins to take form there, in the not 
being, there is once then there is the 
big vocabulary, loosed, like 
a jay's song thrown down when the 
bird goes away, cold mornings, 
hauling dawn away with it, leaving 
grackle and crow in sun—they have 
known what to find in the unmade 
undrawn unseen unmarked and
dragged it into here—that it be 
visible. 
—Jorie Graham [1]
Corvids at sunrise above a creek with petroglyphs, NW Nevada.

“Ravens parallel great apes in physical and social cognitive skills” is the title of a paper published December 2020 [2]. The authors in their conclusion:
Our results suggest that ravens are not only social intellects but have also developed sophisticated cognitive skills for dealing with the physical world. Furthermore, their cognitive development was very rapid and their cognitive performance was on par with adult great apes’ cognitive performance across the same cognitive scales.

I have watched ravens and crows — the Corvids — in wildly variegated domains: desert, thick forest, snow field, urban alley, lakeshore, beach dune, roof-top. These ever-alert songbirds seem to continually sense a surrounding multiverse and with astute ability and distinct personality respond accordingly.

In this time of humans living with a compulsively accelerating planet, the list of losses and fears lengthens and expands sideways. In the post-hominid era, many species will emerge resilient. Raven, the Trickster of the Pacific Northwest, clearly among them.

Juvenile corvids eye the petroglyph explorer, near Abert Rim, SE Oregon 

Notes
[1] Jorie Graham, the concluding lines of the final poem “Mother’s Hands Drawing Me” in Fast, her 2017 collection of poetry.
[2] Ravens parallel great apes in physical and social cognitive skills.
Pika, S., Sima, M.J., Blum, C.R. et al. Ravens parallel great apes in physical and social cognitive skills. Sci Rep 10, 20617 (2020). Scientific Reports volume 10, Article number: 20617 (2020) Published: 10 December 2020. Open Access: https://doi.org/10.1038/s41598-020-77060-8
Click to enlarge

10 December 2020

William Kittredge, 1932-2020

Owning It All was called a book of essays, Hole in the Sky was called a memoir, and Who Owns the West? was called a meditation. They are all evidence of trying to think about what I believe, and trying to leave some residue that might be useful to others. They are texts written over texts, as this is. Ideas live in the mind, and evolve through complexities like creatures. ...

Warner Valley, tucked against an enormous reach of Great Basin sagebrush and lava rock desert in southeastern Oregon and northern Nevada, is a hidden world. Landlocked waters flow from snowy mountains to the west but don't find a way out to the sea. ... Warner Valley is the main staging ground for my imagination.

—William Kittredge, 1999, in Taking Care: Thoughts on Storytelling and Belief
Warner Valley (left: Crump Lake; far right: Greaser Rim) from Lynch's Rim, Spring 2015.
(click to enlarge) Photo: Douglas Beauchamp

01 December 2020

Monolith discovered Oregon Cascades!

Monolith discovered Oregon Cascades! (AP, Dec 1.)

Fieldwork, applying a computational photography technique, Reflectance Transformation Imaging (RTI), has demonstrated this “object” is composed of a metallic oxide of Aurum (gold), unknown on Earth.  

Meteoritic origin is a presumed, after initial analysis, or perhaps delivered to Earth by asteroid impacts during a heavy bombardment. Conversely, a planetesimal origin is possible, since these solid objects exist in protoplanetary disks and debris disks. Without contacting or removing it, dubbed Mazama Monolith, mass, depth and impact trajectory are not known.


An XREF remote digital scan of the interior revealed rippling and fragmentation that may have occurred as the object entered the Earth’s dense nitrogen-oxygen atmosphere. No radioactivity has been recorded, though sensors are monitoring anomalous vibrations in continuous emission.


A second now-popular hypothesis: the object was placed by an alien species, with various intents and purposes, remains highly speculative. Two other “theories" lacking credibility, here so noted: one, the "shamanic” theory, the monolith is a virtual creation, a holographic thought-wave, hence explaining how it changes color and dimension as one shifts position; two, the “marxist” theory, the object is a remnant of 20th century logging debris.

 

This remarkable object, happened upon by intrepid avocational petroglyph researchers is in a remote, nearly inaccessible region of basaltic lava fields located within the ash-fall circumference of Mt. Mazama. These intrepids wish to remain anonymous.


Other artifacts very recently discovered in the vicinity, now sequestered by the U.S. Air Force Unknown Found Objects (U.F.O.) unit from Nevada, indicate all options must remain open at this time. This is not art — it’s just good science. 


What is known is this: the Mazama Monolith is certainly Not a sound-stage studio production as was the faked Utah monument, appearing and disappearing in its fifteen-minute blitz of fame — this is the Real Thing, in place since time immemorial some might say.





11 November 2020

A Land & The Book of Unconformities

-oh objectified—thinly sliced stratified fortified horizontal cross-section of the eventual—unified—till—all traces of the layers are erased—prettified—creating the sensation of a single solid
            ground—emulsified—petrified—gradations stations seams—such as the world. Or time. Sintering, fusing. Such that the thing before you appears whole. Is whole. Also holy.

Jorie Graham, from The Enmeshments in Fast (2017)

In each book — A Land & The Book of Unconformities — the writer considers the passionate human relationship with stone, rock, the Earth. Deeper, the shifting relationship of the evolving, living, planet to the human endeavor.



Anthropologist Hugh Raffles, who grew up in London and lives in New York City, writing in The Book of Unconformities: Speculations on Lost Time (2020):  Stone persists, perhaps for eternity, requiring only to be animated.  The frustration is that this archaeological animation—ultimately simply the rediscovery of the animating principles of its time—relies on the conceptual and theoretical repertoire of our own time … a repertoire too distant and disenchanted for the task.  Still, this is the alluring gap that these stones open, evidence, but refuse to fill …




English archaeologist Jacquetta Hawkes (1910-1996), writing in her 1950 book A Land: At this one moment of time I can feel consciousness stretching from the crystalline virus that blights tomato plants, through fish, reptiles and mammals to the minds of men. Indeed, it is obviously only an expedient convention to stop with the forms of life that are earliest in time, or the simplest in space. Consciousness must surely be traced back to the rocks —the rocks which have been here since life began and so make a meeting place for the roots of life in time and space, the earliest and the simplest. … Even now imagine that I can feel all the particles of the universe nourishing my consciousness just as my consciousness informs all the particles of the universe.

 

CLICK on any photo to enlarge


Images.  Isle of Arran, western Scotland.  Photos by Douglas Beauchamp, Spring 2019. 

—Standing Stone, Machrie Moor

—Cupules, surface detail of the Standing Stone, above

—Standing Stone, Machrie Moor

Old Graveyard, originally associated with Glenshurig church (demolished in 1931), near Brodick. Mesolithic (8000 years bp) occupation is documented at Glenshurig, Machrie Moor, and several other sites in Arran.

Stronach Ridge, Cup-and-Ring Marked Bedrock (detail), Isle of Arran.  A mile walk into Stronach Wood from the Glenshurig area,

—Standing Stone, Doon (Fort), on Drumadoon Point, a headland north Blackwaterfoot, Isle of Arran.  This upright stone is the only visible feature in the 12-acre fort, the largest on Arran, encompassed by cliffs and a running wall.